Showing posts with label ghostbusters. Show all posts
Showing posts with label ghostbusters. Show all posts

Monday, July 31, 2017

Margot Escott Interviews Sam Longoria on Movies, Improv, and The Firesign Theatre.

Margot Escott - Interviews Sam Longoria on Movies, Improv, and The Firesign Theatre.
Sam Longoria interviewed by Margot Escott, Sam was in Hollywood, Margot was in Florida. They chatted about fasting, Ghostbusters The Firesign Theatre Stan Freberg Bill Cosby Donavan Freberg Richard Edlund George Lucas ILM 2010 keywords Sam Longoria samlongoria.com filmmaking film production Keyword Planner samlongoria.com filmmaking film production 2017-08-02 at 04-37-37 academy award winners academy awards best director director greater movie hollywood cinema hollywood movies los movies movie editor oscar award oscar nominations oscar nominees oscar predictions oscars best picture screenwriter the oscars 1920 movie 2014 oscar nominees 2016 oscar winners 8mm movie academy award for best animated feature academy award for best picture academy award movies academy award nominations academy award nominees academy award winners 2016 academy award winning movies academy awards 2016 academy awards best picture award winning movies best film editing best films best movies ever made best picture nominations best picture oscar best short films china hollywood creation movie film companies film crew film director film editor film la film producer film script film sitesi film techniques filmon tv foreign movies greatest movies history of film hollywood film hollywood new movies how long does it take to make a movie how to write a screenplay independent films indie films la movie lafs list of best picture winners list of oscar winners los angeles movie make a movie make movie make your own movie most oscar wins movie director movie film movie producer movies los angeles new films new hollywood movies oscar award winners oscar for best picture oscar list oscar movies oscar movies 2016 oscar nominated movies oscar nominated movies 2016 oscar nominations 2016 oscar nominees 2016 oscar winner oscar winners 2016 oscar winners best picture oscar winners list oscar winning actors oscar winning movies oscar winning movies 2016 oscars predictions sam online school movies screenplay format screenplay writing script writing shooting movies short films the academy awards the best movies ever the producers movie the world's most interesting man tv producer tv production writing a screenplay

Friday, January 29, 2010

Groundhog Day Movie - Not Just A Day About A Rodent, But A Really Fine Film.

Groundhog Day Movie - Not Just A Day About A Rodent, But A Really Fine Film

I have been remiss in not writing a piece about how much I like Harold Ramis's excellent 1993 movie, "Groundhog Day." It's so good, and repeated viewing only improves it, like the life of its protagonist, Phil, played in an emotionally-satisfying arc, by the great Bill Murray, and directed by the great and sweet Harold Ramis.

During "Ghostbusters," some of us went pistol shooting at the Beverly Hills Gun Club, and I remember Danny Aykroyd and I horrified Harold, by doing a full field-strip of a M1911A1 Colt, in the hallway of Boss Film. Mr. A could do it forward and backward, with his eyes closed.

I could tell Harold was nervous, he was laughing too long, but he went with it, and we all had a fine time. I got the chance to quiz him about two scripts of his I still really love, "Stripes," and the picture we were all working on, "Ghostbusters."

Harold was quite open about his method, which was a clever system. He said he made a list of the different movie genres he enjoyed, and then he and various writing partners went down the list, knocking off here a service comedy like "Stripes," and there a ghost movie like "Ghostbusters." And so on.

There had been many of each of those movie genres, and Harold's idea was his would just be a different take on those identifiable movie types. God Bless Harold Ramis, such a nice man, what a lovely simple way to do things, and just look at the career he and his simple method sculpted for him.

I was a young screenwriter then, and that just seemed too methodical to me. I thought then you had to be dragged about by your muse, writing as a-mused. Of course, that was before I actually had to meet a Deadline and please Investors. Now I just laugh at my 27-year-old naivete. Of course you make a list. Of course you go down that list, and tick off your tasks. Of course.

Anyway, "Groundhog Day." Having told you about Harold's List, I have to admit I can't think of many movies like "Groundhog Day," although some will inevitably occur to me. "Ghostbusters" of course, comes from the Bob Hope movie, "The Ghost Breakers," and "Stripes" was just like so many enjoyable you're-in-the-army-now movies, only with new funny Second City actors.

"Groundhog Day." Is there another movie so satisfying? One that goes right through "funny," and deeply into "profound?" About a prickly jerk creep of a guy who "doesn't even like himself," a shallow, mean, using guy, who clambers over the faces of his fellows, who learns to be a real live boy, the way you learn anything, through endless repetition?




Has there ever been a movie with such a good script, a cast with such an enjoyable journey together, such a deep movie-objective need for guy and girl to get together, or a girl as beautiful and sweet as Andie MacDowell?

Or a guy who's such a jerk as Bill's Phil? One who pays for it so much, he transcends and redeems himself, reinventing his own life, over and over? Yes, I know. We all do.
Every day, until it's all over. If it is.

I think "Groundhog Day" is unique. I can think of some dharmic "Twilight Zone" episodes that are like it, but not a lot of feature-length theatrical movies. How would you sell such a beastie? Here's the trailer. I think they sold it pretty well.


Everything, everybody, and everybody's life, has a sweet spot.
"Groundhog Day" was the sweet spot for everybody in it, and for those who made it. "Harold Ramis's masterpiece?" You bet.