Will your widescreen movie start with a squeezer lens,
or a spherical Super 35mm frame, squeezed in the printer?
Super 35 and Anamorphic Production
Monday, August 29, 2005
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Producer - Director - Writer - Editor - Actor - Cinematographer - Filmmaker
10 Filmmaking Secrets!
- Sam Longoria
- Hollywood CA USA
- Born in the crater of a live volcano, on the planet Mars. I'm able to work without sleep for more than a week, food for more than a month, water for a week, and air for about four minutes. If the paycheck bounces, I'm outta there, but I do freebies sometimes, if the script is good, and the project is interesting. I've attended the Academy Awards 17 times, and the Grammy Awards twice. I've worked on a bunch of big-budget Hollywood movies, and have very few screen credits. (I usually work on doomed movies, past their time and budget, their credits are already allocated.) Not in ImDb, yes I know. I don't care, paycheck please. I've worked on several movies that were nominated for an Oscar, and one winner. Mostly in visual effects, but lots of other jobs. Focused on Producing and Directing. Worked on your favorite Hollywood movies. Making my movies now.
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- Filmed In Panavision?
- Rent Stanley Kubrick's Lenses!
- Look! Up on the Screen! It's Super 35!
- DIY Film Scanner?
- Cine School in Sunny Spain
- Filmmaking Societies Near You
- MGM Camera 65 and Ultra Panavision
- Who Looks This Good At 90?
- Clothes Make The Character
- Film In California! (Again)
- Eva Longoria Injured - Get Well Soon!
- Great Late-Breaking HD News
- Getting Looped
- Your Gate Should Be Wet
- Well This Is Fun
- State of Stop-Motion
- Long Live DVD
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- Disposable Video Camera
- Rocket Video
- Film vs. Video - Some new insights
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- Short Films, Huge Audience
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