Tuesday, May 23, 2006

A Great Online Sound Effects Library.

Filmmaking - Free Sound Effects

Thanks for the kind words for my movie sound article.

Some whiners email me, to say that good sound is
"too expensive."

You know what's expensive? A movie that you spend
a year or more making, and it still has sucky sound.

Do you know that movie sound is at least 75% of the
film experience? That's the illusion that your movie
is a cohesive whole, and not just a patchwork of various
picture and sound pieces. It comes from good music,
good sound, and a good mix.

How do you get good sound?

First, you need to record good sound.
Second, you replace any bad sound.
Third, you put in hard effects for your
effects tracks, and...

What? Sound effects is the expensive part?
Here's a great free sound resource.


Thursday, May 11, 2006

Seeing Red

Filmmaking - Digital Cinema

Red is looking interesting, from a design standpoint,
and how it will operate, and the underlying story
of how it came to be.

Discover them all, as
NAB Ted Schilowitz Introduces the
RED Digital Cinema Camera


Thursday, May 04, 2006

In Praise Of Timothy Carey

Filmmaking - There Was A Man Dept.

The first day I visited Universal Pictures in 1978, I met a legendary actor at the studio commissary. Timothy Carey. I went up to talk with him.

He didn't look as he did in the movies, but I sure recognized him. Whatever quality he had on the screen floated around him like a wraith. You know what I mean.

He was the crazed horse sniper in "The Killing," delivering lines through his teeth like an insane Kirk Douglas parody, working out the details of his grisly shooting job, all the while lovingly scratching a puppy.

He was the condemned French soldier in Kubrick's "Paths Of Glory," set unfairly to die before the firing squad. His cellmate says a roach in their cell will outlive them, and Carey crushes the insect, commenting "Now you've got the edge on him."

Later, as they march helplessly to the firing squad, Carey improvises his own forlorn dialogue, to tremendously moving effect. He was one of only a few actors Kubrick would allow to do that.

I talked to Tim Carey quite a while. He was very friendly and didn't mind. He really made my day. We talked about movie acting and Stanley Kubrick and Marlon Brando and Frank Zappa and Jack Nicholson and the indy feature movies Tim made with his own money.

Then we had to go. It was time for my appointment. He was at Universal to do some other business.

He raised and trained attack dogs now, and gave me his business card for his dog-training company "K-9 Attack Dogs." It was in my wallet for a long time, and then on my bulletin board, (next to Stanley Kubrick's phone number). I called Mr. Carey a couple of times, he was always nice, even though I wasn't in the dog market.

I'm so glad I met him, he was an original. What a character in real life, and when the cameras started rolling, always completely perfect for the screen. Every movie he was in, he stole the frame, no matter who else was in it. Kirk Douglas, Marlon Brando, anybody. What a career.

And talk about chutzpah - he once climbed over the Fox studio wall - in a suit of armor - to get an audition for "Prince Valiant." Can't beat that. Lots of people have been influenced by him. I know I have.

Quentin Tarentino's script for "Reservoir Dogs" is dedicated to a list of influences. Timothy Carey heads that list.

Timothy Carey, I salute you.


Wednesday, May 03, 2006

Red Attracts Attention

Filmmaking - Digital Camera

Here's that world's most talked-about movie camera,
finally revealed. "Red" attracts a lot of attention.

Super35mm sensor area, 4k scan, Mega megapixels at 60fps,
a digital cameraman's dream come true.

Check out Red.